Chad
Chatterton

Major Projects: 

• 2019 - 2020, Lead Environment Artist, Massive Ubisoft,Tom Clancy’s The Division 2: Warlords of New York, Published by Ubisoft, Release March 2020, Microsoft Windows, Playstation 4, XBOX One, International distribution 
  
• 2016 - 2019, Lead Environment Artist, Massive Ubisoft, Tom Clancy’s The Division 2, Lead Environment Artist, Published by Ubisoft, Release March 2019, Microsoft Windows, Playstation 4, XBOX One, International distribution 
  
• 2011 - 2016, Lead Environment Artist, Massive Ubisoft, Tom Clancy’s The Division, Lead Environment Artist, Published by Ubisoft, Release March 2016, Microsoft Windows, Playstation 4, XBOX One, International distribution 
  
• 2004 - 2009,  Age of Conan: Hyborian Adventures, Environment Artist, Published by Eidos Interactive, 2008, Microsoft Windows, International distribution

Teaching: 

• 2011, Advanced Imaging 2D / 3D, Undergraduate, RMIT University, Melbourne, Australia 
  
• 2010, Creating Real World Landscapes for 3D Game Engines, Masters, IT University, Copenhagen, Denmark

Exhibitions: 

• 2018, we like small things v.2, Filter Photo Gallery, Chicago
• 2007, Tokyo: Floating World, Curator: Jonathon Homes, Plimsoll Gallery, University of Tasmania 
  
• 2005 – 2006, Games Lab, Permanent exhibit. Acmipark exhibited. ACMI, Melbourne. 
  
• 2004, Reactivate, Acmipark exhibited. State Library of Victoria and ACMI, Melbourne. 
  
• 2003, Transfigure, Perception, body, space & landscape transformed by the moving image. Acmipark exhibited. ACMI, Melbourne. 
  
• 2001, Max Miptex, Collaboration with Julian Oliver. Video project: 3D gaming engines and graphic residue. Bus Gallery, Melbourne. 
  
• 2000,  Death Work, Solo exhibition: gaming and architecture: exploring arenas for playing with dying. 200 Gertrude Street Gallery, Melbourne. 
  
• 2000, 14GO, Group exhibition: computer gaming, landscape and the Japanese ideal, Bendigo Art Gallery, Victoria.
• 2000, Harmonia, Collaboration with Julian Oliver. Collaborations between sound and visual artists. West Space Gallery, Melbourne. 
  
• 2000, Final Fantasies, Curated collaborative installation: responses to the places of computer gaming. (Julian Oliver, Stephen Honegger, Amber Cameron, Damiano Bertoli, Chad Chatterton). 200 Gertrude Street Gallery, Melbourne. 
  
• 2000, World’s End, Solo exhibition: a formal analysis of the graphics of destruction in gaming. 1st Floor Artist and Writers Space, Melbourne. 
  
• 1999, Photo Strip, Group exhibition. 1st Floor Artist and Writers Space, Melbourne. 
  
• 1999, VideoSonic, Collaborative sound and video event curated by Kym Maxwell, Alt TV, Melbourne. 
  
• 1997, Before My Eyes a Bedroom Monster , Group exhibition with Ricky Swallow. Stop 22 Gallery, Melbourne.

Presentations:

• 2016, The Visual Language of Environment Art, Computer Games Boot Camp, Monash University
• 2015, Imprecise Data and World Building: A brief Look at Building Systems, Spatial Analytics and Budgets in the Reconstruction of Manhattan for The Division, GEINFO 2015, Geographic Information and Geographic IT Conference
• 2015, Environment Artist Overview, RMIT Media and Communication
• 2014, Real-Time Demands on Architecture, Sveriges Arkitekter Skåne 
• 2014, MODO on The Division, Sweden MODO Users Group, Gothenberg 
• 2014, The Division, Architecture and Systems, SWECO 
• 2008, CipherCities Panel Discussion, GameOn, Brisbane
• 2005, Aesthetics of Play, A conference on computer game aesthetics, panel discussion. University of Bergen, Norway, October 14-15, 2005.
• 2000, ‘Applications for Computer Gaming Engines in Architecture and the Fine Arts: Extensibility and Analysis’ – presentation with Julian Oliver. Interactive Information Institute, R.M.I.T, Melbourne. 

Achievements: 

• 2010, Artist-in-Residence, IT University of Copenhagen, Denmark  
  
• 2002, Artist-in-Residence,Australia Council Artist Studio, Tokyo  
  
• 2000 -2001, Studio Residency, 200 Gertrude Street Artist Studios, Melbourne  
  

Grants: 

• Digital Media Fund for the development of Acmipark, 2000-2001, Victorian State Government

Publications: 

• 2014 , Die Welt Der Verlassenen Orte: Urbex-Fotografie / World's Lost places: Urban Exploration Photography, text by Peter Traub, Mitteldeutscher Verlag / Central German Publishing House
• 2014, UBI/WTF/NYC - Ubisoft internal 
  
• 2007 , Tokyo: Floating World - Curator: Jonathon Homes, University of Tasmania  
  
• 2007, Videogames and Art, Edited by Andy Clarke and Grethe Mitchell,  Intellect Books and The Universityof Chicago Press  
  
• 2004, Netscape: Virtual Landscape of the Internet, Ralph Johns, Landscape Review Vol 10, No 1 2, Lincoln University
• 2005, Keep Off the Grass: ACMI Park, A Case Study of a Virtual Public Place, Helen Stuckey, First Monday Special Issue #5
• 2001, Zhong Chen, ‘Zhong Chen’s Digital Allusions’, Zhong Chen exhibition catalogue. 200 Gertrude Street studio artist: Samstag Visual Arts Scholarship recipient: Austalia Council Greene Street, New York studio residency. 
  
• 2000, Harmonia ‘Returning the Sound to Sound Art’, The Harmonia project exhibition catalogue, West Space Gallery, Melbourne, May 2000. 
  
• 2000, Like Magazine, Looking at Signs of Life, no. 9m, RMIT, 2000). ‘What Does It Take to Take a Good Dance Seriously’ 
  
• 1994, Artfan, Ways of Saying that aren’t Valued’. No.4 (A Constructed World Inc. Spring 1994). ‘Life with Us’. Exhibition review. 
  
• 1991, Art and Text, Zones of Love,no.40. Sept 1991 (Art and Text Pty Ltd, Melbourne 1991). ‘Off the Wall / In the Air: A Seventies Selection’.